The actor walks us through his process of learning a role and explains why vocal training is relevant to all of us.
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Shakespeare
The actor walks us through his process of learning a role and explains why vocal training is relevant to all of us.
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A playwright and acting coach offers invaluable advice for anyone engaged in public speaking.
Read MoreA talented young actor shares his approach to character and reflects on his training in Moscow.
Read MoreA musical theater composer sees a correlation between structure and intuition.
Read MoreA Tony Award–winning actor upends the conventional wisdom of learning and understanding.
Read MoreThe memorization coach reflects on books that have influenced him.
Read MoreThis master of disguise explains how comic books influence his ability to learn a role.
Read MoreA Broadway actor masters a new character in record time during the day—while performing the lead in a Shakespeare play at night.
Read MoreA young actor offers practical advice on memorizing monologues and scene work.
Read MoreA Broadway actor talks about preparation for dual roles and the rewards of collaborative improvisation.
Read MoreAn author and professor explains how playing with pitch leads to improved mastery of scripts.
Read MoreA budding actor tells us how he keeps his focus, with a nod to David Mamet.
Read MoreThis handsome leading man shares his method for mastering constantly changing material in a Broadway musical.
Read MoreThe Broadway actor reflects on pattern-finding and the dangers of Shakespeare in excess.
Read MoreA senior Army official details how memorization drills fueled his passion for literature and led him to a military career.
Read MoreA stage actor drives home the importance of listening on stage and seeing with the mind’s eye.
Read MoreA New York actor provides invaluable tips for anyone who speaks publicly.
Read MoreTwo Broadway actors discuss how getting into character helped them learn their lines for Clever Little Lies and other shows.
Read MoreDaniel Spector has directed or coached actors in 35 productions of 25 Shakespeare plays. He generously shared his insights into memorization of the Bard’s work.
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