The writer and star of 45 Coffee Dates reveals why performing one’s own material is harder than expected—and how to move forward.
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Why Monologue Expert Glenn Alterman Puts Meaning Before Memorization
A playwright and acting coach offers invaluable advice for anyone engaged in public speaking.
Read MoreBilingual Actor Noni Stapleton on Making a One-Person Show
An Irish actress takes us through the process of writing and performing her one-woman show.
Read MoreBen Bonnema on Writing Lyrics That Stick
A musical theater composer sees a correlation between structure and intuition.
Read MoreJohn Benjamin Hickey on the Science and Chemistry of Character
A Tony Award–winning actor upends the conventional wisdom of learning and understanding.
Read MorePrudence Wright Holmes on Memorable Monologue Auditions
“The monologue detective” has three guidelines to help actors find and master the most suitable audition monologue.
Read MoreActor Jeremy Davidson on Emotional Honesty
The stage and screen actor talks about his passion for performing in new plays—and much more.
Read MoreRinne Groff’s Approach to Writing Memorable (and Award-Winning) Plays
A New York playwright explores a “build in intensity” as a way to master a text.
Read MoreWhat James Miller Learned from Rob Lowe and Allison Janney
A young actor offers practical advice on memorizing monologues and scene work.
Read MoreWhy James Gleason Lives and Breathes His Character
A Broadway actor discusses commitment and the importance of staying in character.
Read MorePeter Alexander on the Persistence of Musical Memory
A composer for musical theater reveals what makes melodies and lyrics stick.
Read MoreA Brief, Memorable Encounter with Harvey Fierstein
The gravel-voiced actor shares his distaste for a certain shortcut around memorization.
Read MoreCharles Busch on Cabaret, Sondheim, and Acting in His Own Plays
Actor, writer, and drag legend Charles Busch holds forth on his loathe/hate relationship with memorization.
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